I interviewed Susie Bright for SexIs Magazine about her memoir Big Sex Little Death.
I wrote "Slut Shame: Why Are We Still Attacking Women for Having Sex?" at Alternet.
I didn't write either headline.
Showing posts with label Susie Bright. Show all posts
Showing posts with label Susie Bright. Show all posts
Susie Bright interview and slut-shaming article at Alternet
Heading to DC this weekend - excited for Momentumcon, but kindof wish this were a stay-in-NYC-and-be-warm-and-catch-up-on-scary-to-do-list weekend. That'll have to be next weekend, I supposed. Very behind but determined to put Best Bondage Erotica 2011 and my kinky couples anthology (deadlines today!) to bed before I leave for Seattle in two weeks. Or as damn close as I can get. I have this mantra on repeat kindof like "I think I can," but in my case it's "The perfect is the enemy of the good." In-fucking-deed.
I interviewed Susie Bright for SexIs Magazine about her memoir Big Sex Little Death.
I wrote "Slut Shame: Why Are We Still Attacking Women for Having Sex?" at Alternet.
I didn't write either headline.
I interviewed Susie Bright for SexIs Magazine about her memoir Big Sex Little Death.
I wrote "Slut Shame: Why Are We Still Attacking Women for Having Sex?" at Alternet.
I didn't write either headline.
My review: Big Sex Little Death by Susie Bright
My interview with Susie Bright should be up tomorrow at SexIs Magazine but in the meantime, my review of her new memoir Big Sex Little Death, available at Amazon and wherever books are sold. See susiebright.com for tour dates.
Big Sex Little Death is about some of the things you would expect from a Susie Bright memoir: her time at pioneering lesbian sex magazine On Our Backs, the feminist sex wars, politics and hypocrisy. But it's also about a lot of things you might not expect, things that revealed not just how she got to where she is now and the forces that shaped her, but the rift her parents' divorce caused inside her, and how it shaped her as a parent and person.
Bright starts off as a little girl trying to absorb what she can about her family, and to tolerate the wild mood swings her mother has, often with Bright as the object of her derision. It's almost easy to forget that she was ever that little girl when she so boldly takes on the status quo as a high school student with the newspaper The Red Tide. But Bright's vision is set on being part of real socialist organizing, and she drops out of school, argues her way into the IS, raises the money to get there by housecleaning and is even willing to stay after almost being beaten to death and facing extremely dangerous situations. To her the cause stands paramount, yet she is always questioning and observing those around her. There are moments that make one pause and think, "This happened in America?" Even for those of us who aren't under the illusion that the US is perfect, those are hard moments, but Bright manages to write about them, such as the racism at her department store job, with an eye for injustice and a belief that there are ways to change these injustices.
This is especially clear as she maps out the feminist culture at the time she was starting to sell vibrators at Good Vibrations and become part of On Our Backs. The clash between what women were being told they were supposed to be doing in the name of feminism and what women were exploring sexually provided for plenty of drama, and Bright is at perhaps her sharpest here, highlighting both the thrill of being part of something new and visionary as well as the death threats that came with it. During this time, Bright also becomes a mother and there are some very poignant observations about the credit she was given, by random neighbors and others who previously would have dismissed her, and how the process of becoming a parent helped her see that she was not doomed to repeat her mother's mistakes.
This book is admittedly not an attempt to document an exhaustive history of either The Red Tide, On Our Backs, or Susie Bright's entire life, and the stories she did choose to tell are illuminating. She doesn't lose that youthful spirit of wanting to shake things up that she had at sixteen, even in the face of ostracism from within the ranks of the IS or the lesbian or feminist worlds. She does, however, make choices she needs to to best protect herself and her family. This is a powerful book that will, perhaps, leave you unsettled...in a good way. The writing is so rich, too (she describes Andrea Dworkin as "Like arguing with Freud but being happy he was taking you for a ride.), and Bright is clearly not just rehashing the same old stories. The final chapters, in which she is served with papers, there's a murder and Bright grapples with motherhood, are particularly dramatic, but there is a gracefulness to Bright's words, one that doesn't mute any of the horror of the details she's revealing, but that in fact leaps off the page. It highlights the reality that truth is stranger than fiction and certainly makes the book go out with a bang. A fascinating read whether you're familiar with Bright's book or not, whether you share her political beliefs or not; this is a memoir about finding companionship as well as fierce opposition among the rebels, and figuring out when to stand one's ground and when to find new ground to stand on.
Big Sex Little Death is about some of the things you would expect from a Susie Bright memoir: her time at pioneering lesbian sex magazine On Our Backs, the feminist sex wars, politics and hypocrisy. But it's also about a lot of things you might not expect, things that revealed not just how she got to where she is now and the forces that shaped her, but the rift her parents' divorce caused inside her, and how it shaped her as a parent and person.
Bright starts off as a little girl trying to absorb what she can about her family, and to tolerate the wild mood swings her mother has, often with Bright as the object of her derision. It's almost easy to forget that she was ever that little girl when she so boldly takes on the status quo as a high school student with the newspaper The Red Tide. But Bright's vision is set on being part of real socialist organizing, and she drops out of school, argues her way into the IS, raises the money to get there by housecleaning and is even willing to stay after almost being beaten to death and facing extremely dangerous situations. To her the cause stands paramount, yet she is always questioning and observing those around her. There are moments that make one pause and think, "This happened in America?" Even for those of us who aren't under the illusion that the US is perfect, those are hard moments, but Bright manages to write about them, such as the racism at her department store job, with an eye for injustice and a belief that there are ways to change these injustices.
This is especially clear as she maps out the feminist culture at the time she was starting to sell vibrators at Good Vibrations and become part of On Our Backs. The clash between what women were being told they were supposed to be doing in the name of feminism and what women were exploring sexually provided for plenty of drama, and Bright is at perhaps her sharpest here, highlighting both the thrill of being part of something new and visionary as well as the death threats that came with it. During this time, Bright also becomes a mother and there are some very poignant observations about the credit she was given, by random neighbors and others who previously would have dismissed her, and how the process of becoming a parent helped her see that she was not doomed to repeat her mother's mistakes.
This book is admittedly not an attempt to document an exhaustive history of either The Red Tide, On Our Backs, or Susie Bright's entire life, and the stories she did choose to tell are illuminating. She doesn't lose that youthful spirit of wanting to shake things up that she had at sixteen, even in the face of ostracism from within the ranks of the IS or the lesbian or feminist worlds. She does, however, make choices she needs to to best protect herself and her family. This is a powerful book that will, perhaps, leave you unsettled...in a good way. The writing is so rich, too (she describes Andrea Dworkin as "Like arguing with Freud but being happy he was taking you for a ride.), and Bright is clearly not just rehashing the same old stories. The final chapters, in which she is served with papers, there's a murder and Bright grapples with motherhood, are particularly dramatic, but there is a gracefulness to Bright's words, one that doesn't mute any of the horror of the details she's revealing, but that in fact leaps off the page. It highlights the reality that truth is stranger than fiction and certainly makes the book go out with a bang. A fascinating read whether you're familiar with Bright's book or not, whether you share her political beliefs or not; this is a memoir about finding companionship as well as fierce opposition among the rebels, and figuring out when to stand one's ground and when to find new ground to stand on.
Call for Submissions: Best Sex Writing 2012
This is not part of the “official” call but I’d really love to see pieces that are not by “sex writers,” but by comedians or comedy writers, other kinds of artists, scientists, etc. – people who deal with sex in their fields (or personal lives). To me its vastness as a subject is what makes sex continually interesting, so please, spread the word wide and far. The deadline is looking (May 1st) but I hope this reaches all sorts of fascinating people. I highly encourage you to check out the previous editions (these links go to the pages for those books, or see more information at www.bestsexwriting.com) of the series to get a feel for the types of work we are looking for, but anything nonfiction about sex is applicable. For tables of contents and introductions, see: Best Sex Writing 2008, Best Sex Writing 2009 and Best Sex Writing 2010.
And click here for the illustrious list of past contributors to all the editions (I didn't edit Best Sex Writing 2005 or 2006).
Call for submissions: Best Sex Writing 2012
To be edited by Rachel Kramer Bussel, selected by guest judge Susie Bright, author of Big Sex Little Death
Publication date: December 2011
Deadline for submissions: May 1, 2011 (earlier submissions welcomed!)
Editor Rachel Kramer Bussel is looking for personal essays and reportage for inclusion in the 2012 edition of the Cleis Press series Best Sex Writing, which will hit stores in December 2011. Any non-fiction writing covering the topic of sex will be considered.
I like work that looks at sex in new and unusual ways (see Stacey D'Erasmo's "Silver-Balling" in Best Sex Writing 2009 for a prime example, as well as “It’s a Shame About Ray” by Kirk Read and “Sexual Outlaw” by Betty Dodson in Best Sex Writing 2010), that challenges us to think about sex and our own sexuality, is thought-provoking and possibly disturbing. I want sex journalism that's found in the most unexpected places and is as topical as possible.
No fiction or poetry will be considered.
Previous editions of BSW have featured authors such as Brian Alexander, Violet Blue, Susannah Breslin, Betty Dodson, Stephen Elliott, Gael Greene, Paul Krassner, Judith Levine, Michael Musto, Scott Poulson-Bryant, Mary Roach, Tristan Taormino, Virginia Vitzhum, and others.
Requirements: For reprints, story must have been published (or is slated to be published) between August 1, 2010 and December 31, 2011, online and/or in print (book, magazine, zine or newspaper) in the United States. Original, unpublished work is also welcome.
Authors:
Please send your double-spaced submission (1,500-4,000 words) as a Word document or RTF attachment to bestsexwriting2012 at gmail.com – you may submit a maximum of TWO pieces for consideration. You MUST include your full contact information, a 50-word or less bio, and previous publication details for reprints.
Include your name, email address, mailing address, phone number, and exact publication details (title of publication, date of publication, and any other relevant information). Only send work you own the licensing rights to.
Editors:
Submit up to three submissions from their publication, following the guidelines above. Provide the author's contact information available upon request.
Email address (for queries and submissions): bestsexwriting2012 at gmail.com
Payment: $100
Deadline: May 1, 2011 (earlier submissions welcomed and encouraged)
You will receive an email confirming your submission; after that you can expect to hear back from me by August 2011.
Rights bought:
Author hereby grants Editors, during the first term of the United States copyright, and any renewals thereof, in the “Work”:
a. The non-exclusive right to "publish" (i.e. print, publish, and sell) the Work as part of the Book in book and digital form in English in the United States and its territories; and
b. The non-exclusive right to "publish" and license the Work as part of the Book in book and digital form in English in other countries; and
c. The non-exclusive right to license translate and publish the Work as part of the Book in book and digital form in languages other than English in all countries.
Rachel Kramer Bussel (www.rachelkramerbussel.com) is an author, editor, blogger and event organizer. She is Senior Editor at Penthouse Variations, sex columnist for SexIs Magazine, and has edited 38 anthologies, including Gotta Have It, Surrender, Best Bondage Erotica 2011, Orgasmic, Fast Girls, Spanked, Bottoms Up and Best Sex Writing 2008, 2009 and 2010. She hosted In The Flesh Reading Series from 2005-2010 and writes for a variety of publications about sex, dating, books and pop culture.
Susie Bright (http://susiebright.com) is the author of the national bestsellers Full Exposure and The Sexual State of the Union, as well as The Best American Erotica and Herotica series, which ushered in women’s erotic publishing. She the host of Audible’s In Bed With Susie Bright, the longest-running sex-ed show in the history of broadcasting. She was co-founder and editor of On Our Backs magazine, and was the first journalist to cover erotic cinema and the porn business in the mainstream press. A progenitor of the sex-positive movement, Bright taught the first university course on pornography, and brought lasting sexual influence to her role in films like Bound and The Celluloid Closet. Her latest book is the memoir Big Sex Little Death.
And click here for the illustrious list of past contributors to all the editions (I didn't edit Best Sex Writing 2005 or 2006).
Call for submissions: Best Sex Writing 2012
To be edited by Rachel Kramer Bussel, selected by guest judge Susie Bright, author of Big Sex Little Death
Publication date: December 2011
Deadline for submissions: May 1, 2011 (earlier submissions welcomed!)
Editor Rachel Kramer Bussel is looking for personal essays and reportage for inclusion in the 2012 edition of the Cleis Press series Best Sex Writing, which will hit stores in December 2011. Any non-fiction writing covering the topic of sex will be considered.
I like work that looks at sex in new and unusual ways (see Stacey D'Erasmo's "Silver-Balling" in Best Sex Writing 2009 for a prime example, as well as “It’s a Shame About Ray” by Kirk Read and “Sexual Outlaw” by Betty Dodson in Best Sex Writing 2010), that challenges us to think about sex and our own sexuality, is thought-provoking and possibly disturbing. I want sex journalism that's found in the most unexpected places and is as topical as possible.
No fiction or poetry will be considered.
Previous editions of BSW have featured authors such as Brian Alexander, Violet Blue, Susannah Breslin, Betty Dodson, Stephen Elliott, Gael Greene, Paul Krassner, Judith Levine, Michael Musto, Scott Poulson-Bryant, Mary Roach, Tristan Taormino, Virginia Vitzhum, and others.
Requirements: For reprints, story must have been published (or is slated to be published) between August 1, 2010 and December 31, 2011, online and/or in print (book, magazine, zine or newspaper) in the United States. Original, unpublished work is also welcome.
Authors:
Please send your double-spaced submission (1,500-4,000 words) as a Word document or RTF attachment to bestsexwriting2012 at gmail.com – you may submit a maximum of TWO pieces for consideration. You MUST include your full contact information, a 50-word or less bio, and previous publication details for reprints.
Include your name, email address, mailing address, phone number, and exact publication details (title of publication, date of publication, and any other relevant information). Only send work you own the licensing rights to.
Editors:
Submit up to three submissions from their publication, following the guidelines above. Provide the author's contact information available upon request.
Email address (for queries and submissions): bestsexwriting2012 at gmail.com
Payment: $100
Deadline: May 1, 2011 (earlier submissions welcomed and encouraged)
You will receive an email confirming your submission; after that you can expect to hear back from me by August 2011.
Rights bought:
Author hereby grants Editors, during the first term of the United States copyright, and any renewals thereof, in the “Work”:
a. The non-exclusive right to "publish" (i.e. print, publish, and sell) the Work as part of the Book in book and digital form in English in the United States and its territories; and
b. The non-exclusive right to "publish" and license the Work as part of the Book in book and digital form in English in other countries; and
c. The non-exclusive right to license translate and publish the Work as part of the Book in book and digital form in languages other than English in all countries.
Rachel Kramer Bussel (www.rachelkramerbussel.com) is an author, editor, blogger and event organizer. She is Senior Editor at Penthouse Variations, sex columnist for SexIs Magazine, and has edited 38 anthologies, including Gotta Have It, Surrender, Best Bondage Erotica 2011, Orgasmic, Fast Girls, Spanked, Bottoms Up and Best Sex Writing 2008, 2009 and 2010. She hosted In The Flesh Reading Series from 2005-2010 and writes for a variety of publications about sex, dating, books and pop culture.
Susie Bright (http://susiebright.com) is the author of the national bestsellers Full Exposure and The Sexual State of the Union, as well as The Best American Erotica and Herotica series, which ushered in women’s erotic publishing. She the host of Audible’s In Bed With Susie Bright, the longest-running sex-ed show in the history of broadcasting. She was co-founder and editor of On Our Backs magazine, and was the first journalist to cover erotic cinema and the porn business in the mainstream press. A progenitor of the sex-positive movement, Bright taught the first university course on pornography, and brought lasting sexual influence to her role in films like Bound and The Celluloid Closet. Her latest book is the memoir Big Sex Little Death.
$2.20 buys you sex writing tips from me, Susie Bright, Stephen Elliott and Rachel Resnick
If you missed me, Susie Bright, Rachel Resnick and Stephen Elliott talking sex writing at the Los Angeles Times Festival of Books (or just want to relive it), there's audio available for $2.20 on Amazon (I did not know we were being taped). It was such a blur because of the whole LA ride thing (I'm going back next month for the West Hollywood Book Fair but am gonna station myself early in WeHo somehow) and running around being interviewed for the radio that I dashed in and must've looked like a madwoman but I think it was a fascinating panel and was honored to be asked, and also impressed with the free event, which had a food section, outdoor stuff for kids, and was my first chance to meet the wonderful Jillian Lauren.
