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Film: Sega
Rating: 2.75/5
Banner: Manadesam Movies
Cast: Nani, Nithya Menon, Karthik Kumar, Bindu Madhavi, Muthukumar, Shimmore, Jennifer and others
Music: Joshua Sridhar
Cinematographer: Om Prakash
Editing: Antony
Story, screenplay, direction: Anjana Ali Khan
Producer: Ashok Vallabhaneni
Release date: 29/07/2011

The hit pair of Nani and Nithya Menon are back and this time, they are seen in a rustic mode. Let us see how good the film is.

Story:
Set on the backdrop of a lower class slum, the story begins with Balaji (Muthukumar) who hates his drunkard father Jothi (Shimmore) and leaves home along with his brother Karthik (Nani). Both grow up at their uncle’s place and Balaji ensures their father’s shadow never falls on Karthik who joins engineering.

Meanwhile, Karthik is in love with Revathi (Nithya) and has a very close friend Vishnu (Karthik Kumar). The story takes a turn when Vishnu joins hands with Jothi who becomes a pimp for earning quick money and he takes the help of Karthik for that. Vishnu wants to get his lover Vani (Bindu Madhavi), a prostitute, out of the brothel. However, what seems to be a snatch job changes the fate and destiny of each one involved. What is that incident? How the story turns after that forms the rest of the story.


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Kanchana 2011 Movie Online Watch

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Review:Raghava (Lawrence) is a seemingly happy go lucky youngster, who most often plays cricket, but suffers from extreme noctiphobia (fear of the night). Even though he seems twenty-something, he still needs to sleep close to his mom (Kovai Sarala) and is scared very easily by horror stories narrated by his brothers’ kids. One fine day Raghava and his teammates have to find an alternative ground to play cricket and they end up going to an eerie looking old site. They are chased by some unseen power, and everyone scatters off. But unbeknownst to Raghava, he seems to have brought home a force that does not belong to this world. Strange things begin to happen at his home, and it isn’t long before the people at home discover that they are sharing their home with not one, but three ghosts, all finding shelter in Raghava’s body. In a parallel story a politician finds that few of his supporters are being killed mercilessly.
Raghava’s mother calls sufi exorcists, and it is revealed that the name of the main ghost inside Raghava is Kanchana. Under the exorcist’s spell Kanchana narrates a story that leads to a bloody climax.
What is Good : Kanchana manages to survive mostly on scaring the audiences with situations that keep you on the edge of the seat. At the heart of story, there is an unexpected support to eunuchs, who most often as kids do not know how to deal with themselves. The guest appearance of Sharath Kumar as a eunuch gives us some glimpse of a storyline towards the end of the film, which otherwise is built on a wafer thin premise
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Mentally challenged Krishna (Vikram) works in a chocolate factory near Ooty and his wife dies after the birth of a child. The child becomes his world and names her Vennela (Sara). When Vennela joins the school, Krishna's father-in-law comes to know about the child and he takes Vennela with him. With the help of a lawyer Anu (Anushka), Krishna fights for the custody of his daughter with his father-in-law.



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INTRO:
More than the films that flaunt Vikram as an artiste, it is Vikram himself that any of the movie-buff and even a critic would love to look forward to. Starting from Bala’s Sethu to the recent Mani Ratnam’s Raavanan, the actor has been coming up with unbelievable variations and awe-inspiring innovation in each and every performance. This time, he is playing a mentally challenged father who shared a sensitive bond with his sever years old daughter. Dubbed from Tamil Deiva Thirumagal, Naanna is based on Hollywood I Am Sam. As the title suggests, the film is expected to be a harbinger of emotions. Let’s sink in the same…

PERFORMANCES:
The least you talk about Vikram, the better. For, he leaves nothing for you point out at. The perfectionist in him gushes out in every act and deed. In this case, as a person with developmental disability, Vikram is fantabulous. You could do nothing but get carried away by his presence on screen. He makes you laugh, cry, feel the pain and revel in happiness… along with him. I’m sure he would steal the show at every award function for this outstanding character.
Baby Sara, who played the seven-year-old daughter of Vikram has fitted in the role like anything. One usually can’t expect so much from a child artiste, but she is an asset to the flick. Her subtle sensations and unconditional love for her mentally challenged father is heart-touching. She gave more than 100 per cent for her role and turned out to be a great performer.
Anushka Shetty, on the other hand, as a lawyer lends a great support to Vikram and of course the emotions laced up in the story. For the first time, she tried her luck at enacting comedy and does a decent job too. She deviated from her glamour-doll image and attempted a performance-oriented role, which is laudable. Nazar is really convincing as a topnotch lawyer. Santhanam, Surekha Vani, Amala Paul and others did what their characters demand them to do.

TECHNICAL ANALYSIS:
The scenic locations in Ooty look strikingly exquisite in the film, thanks to the cinematography. Every frame represents to be an artistic marvel. GV Prakash’s music suited well with the story. Nowhere does it sound force-fitted. Background score has indisputably brought life to the movie, but gives you an impression of watching the Tom & Jerry series at times.
The way the plot has been narrated is my personal favorite and I loved it the most. However, the script is too thin and is unmistakably made for claiming awards rather than commercial viability. As regards the screenplay, it is long-drawn-out for the first 45 minutes but picks up pace only later. Overall, it can be rated below average. Direction, then again is one front where it requires more and more. Vijyay appeared immature as a film-maker in the case of Naanna.

PLUS-POINTS:
Emotional scenes
Vikram’s performance
Sara’s performance
Second-half
Hotel comedy
Court scene

MINUS-POINTS:
Too lengthy
First-half
Thin storyline
Lack of commercial elements
Dragged climax

ANALYSIS:
No one could have done as much justice to the lead character as was done by Vikram. As a person who has grown by size and not mind, he outshines and makes a mark in your heart as an artiste time and again. Naanna is an out-and-out Vikram’s film and he rules the roost till the end. You would be helpless but take home Vikram and only Vikram. The story really doesn’t have much on platter but the credit goes to narration. The first-half has no story at all and can be trimmed closing your eyes. The actual one starts only in the act-two, which is really touching and adds the strength quotient to the whole flick.
The film however got some good performances, especially the father-daughter duo. There were moments when I literally shed tears, particularly while watching the court scene. The slightest of feelings that Vikam and Sara communicate for each other are the true highlights and bring in the significance and value of their relationship in a more than life-size canvas. There is also some decent comedy by Santahnam in the second-half. Background music is an asset. In brief, Naanna should have been short and sweet in conveying the content, which it evidently is lacking in.[endcode][image]http://4.bp.blogspot.com/-6NMPSR-Eels/TiD8_bmsoiI/AAAAAAAAJtM/KgywrcAUfAk/s1600/nanna_movie_review.jpg[endimage][starttext][endtext]