Kelly Rowland Album Release Party: 'Look who's coming to Dinner... Beyonce & Michelle'

Last night Kelly Rowland ended her busy promo day at her very own album release party held at The Standard Hotel in NYC.  Kelly was busy promoting her 3rd solo album, 'Here I Am', making stops at '106 & Park' with Terrence & Rocsi, then Planet Hollywood, then The Angie Martinez Show.  You must respect the energy and time Rowland put in on the promo trail.  And the 'party' didn't stop there.  Kelly then hosted her album release party and her fellow bandmates Beyonce and Michelle came out to support her.  There destiny maybe 'fulfilled' but the ladies reunited once again, if only for one night to show their love and support for their 'sister'.  A host of other celebs were on hand as well to celebrate Kelly's success!

Tika Sumpter

*Big Sean*                              Let's 'scratch' Estelle out and pretend Beyonce is in her spot.-LOL

Maxwell & Jessica White

Week of the Woman: 'Portraits' of 'Sisterhood'--THROWBACK-DC3

Wrapping up my 'Week of the Woman' Series is none other than a 'portrait' of sisterhood. What better way to display this than by highlighting a quintessential group that personifies just that. Destiny's Child has endured their fair share of ups and downs and bumps in the road, but once that perfect TRIO was reached, there was no stopping the ladies. With hit after chart-topping hits and successful solo ventures by all 3 ladies, this group embodies what I think 'Sisterhood' means. Through it all, they have remained each other's BIGGEST FANS. SO in praise of Beyonce's whirlwind week of accolades and praise at this year's Billboard Awards, Kelly's chart-topping # 1 single 'Motivation', and Michelle's successful run as 'Roxie' in Broadway's 'Aida', let's praise the girls for their successes.

Take a look at some Throwback moments with the 'sisters', friends and stars that collectively form 'Destiny's Child'.

Destiny's Child Reunion...of sorts

Destiny's Child reunited.... well for one night only.  The 3 lovely ladies were all attendees of the 2011 Billboard Music Awards.  Kelly and Michelle watched from the audience as there sister, friend, and front-woman of there chart-topping group took over the stage for a whirlwind performance of her hit single, 'Run The World (Girls).  After the exhilarating performance, Beyonce accepted the Millennium Award from Billboard.  The title and trophy was presented to her by her nephew and mother. 







The international pop star graciously accepted the award and thanked her parents, her fans, Kelly & Michelle, the original members of the group, LeToya and Latavia and her "Best Friend", Sean Carter.

Blue Valentine (2010) - Directed by Derek Cianfrance

"A relationship, I think, is like a shark, you know, it has to constantly move forward or it dies, and I think what we got on our hands is a dead shark."

Woody Allen- Annie Hall (1977)

Woody Allen's quote seems to apply to the marriage central to Blue Valentine. Cindy (Michelle Williams) has moved forward with her life, but Dean (Ryan Gosling) has not followed suit and is not joining her on the path. He has remained stagnant, inert and content with the status-quo. She is more ambitious and regretful, dragged down by his malaise, seemingly preventing her from bettering herself. He wants things to be normal and the way they’ve always been. She saw marriage as just the beginning. He saw marriage as the final goal and is content with that. Dean and Cindy’s relationship is kind of like an egg yoke at this point in time: the slightest pressure is applied and it runs all over the place.

Derek Cianfrance’s film concerns Cindy, Dean and their daughter Frankie, who’s caught in the middle of a marriage crumbling beyond repair, one that is wallowing in a state of paralysis. Cindy and Dean drop off Frankie at the grandparent’s house and Dean convinces Cindy to stay at a “love” motel in order to rekindle and reconnect. This film documents basically a 24 hour span of time through the night into the next morning as they reach a point of no return in the relationship. During this time, they clash with each other sexually, physically and emotionally. Present scenes of bitterness, misunderstanding, hatred and regret are intercut by scenes of the beginning of their relationship, ones of tender, funny, awkwardly romantic moments that make the present scenes all the more poignant and painful in my opinion. 



This is a film that truly cares for its characters despite their flaws and inabilities. They are both equally sympathetic and unsympathetic at times and yet the film genuinely feels for them. I found that I was invested in the outcome whether Cindy and Dean deserved it or not. Cianfrance chooses to film the "past" scenes with a more open-eyed optimism. Scenes are bright, clear and infused with a joy and improvisation. "Present" scenes are darker and murky, cluttered in the frame and rarely do we ever see both characters in a two-shot. They are isolated and disconnected from each other both in the frame and in their lives. Cianfrance infuses the whole film with a tone I will describe as achingly mournful. This tone at times can be sentimental and nostalgic, but with a realism that belies any thoughts of melodrama. We are only given the beginning and the end of the relationship, not the complete middle section. This is not a flaw but a trusting of the audience. Do we really need to see the entire middle of their marriage where it slowly disintegrates? Can’t we fill in the gaps ourselves? We don’t need to be pandered to and Blue Valentine gives us the benefit of the doubt.

Ultimately, this is a film that succeeds on the talent of its leads. I’ll admit I came into this film already a huge fan of both Ryan Gosling and Michelle Williams. They are two of my favorite actors working today. Gosling brings great presence and intensity to films like Half Nelson (2006) and Lars and the Real Girl (2007). As for Michelle Williams, I’ll go so far as saying that I think Michelle Williams might be the best American actress working today, and possibly the best anywhere, with Amy Adams and Britain’s Carey Mulligan making a run for that title as well. Williams has been absolutely remarkable in a string of films going back to Brokeback Mountain (2005). She has brought truth, clarity, and credibility to roles in Shutter Island (2010), Synechdoche, NY (2009), and Wendy and Lucy (2008). I can’t wait to see her in the new film Meek’s Cutoff (2010). Blue Valentine is a showcase for her incredible range. What I notice about her acting, is that I don’t notice it. She never seems like she’s trying very hard and you can’t “see” the acting. She just is the character and that’s that. You’re never thinking there is a false move and she totally gets it. She can do comedic, lighter moments and terribly emotional ones without ever seeming like she’s forcing it. One scene where Dean and Cindy meet on a bus and Dean is trying to ask her out is probably the best showcase for both Gosling and Williams. Gosling is the awkward guy, trying to be cool but sounding stupid. Williams plays it cautiously and reserved, trying to avoid making eye contact and yet cannot resist his bumbling courtship. I’m not normally a big fan of actor movies, preferring the director’s talents to the actor’s, but this one is undeniably great because of the acting. I think that’s what makes this film so painful and wrenching to watch at times. Both Gosling and Williams are so real, likable and watchable that it pains us to watch them as these people who just can’t function together. As an audience, Blue Valentine puts you through the wringer. It's intense, honest and tends to be a downer, but I found the truth contained to be well worth the journey.